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#Instruments of destruction tools of the trade lyrics professional

#Instruments of destruction tools of the trade lyrics professional

Under the guidance of Industry Mentors, students continue building and honing their professional skill sets. Offered during students’ second semester in the program, it is the follow-up course to the required first-semester core class “How the Contemporary Music Business Works” and a key part of CDI’s Professional Development Industry Mentorship curriculum that starts in students’ first year and continues through their four-year matriculation in the Institute.

Working with an Industry Industry Mentor I is a colloquium-course, taught by experienced music and entertainment professionals, that provides continuing industry Industry mentorship and guidance to first-year Clive Davis students. REMU-UT 1204 PROFESSIONAL DEVELOPMENT: WORKING WITH AN INDUSTRY MENTOR I (FALL OR SPRING) The course will use the David Moulton's Golden Ears CDs and The Producer as Composer - Shaping the Sounds of Popular Music by Virgil Moorefield as texts. Weekly drill sets will include: A/B Drills, comparing original recordings with altered versions, identification of time delay, and the onset of reverberation. Using pink noise, students will learn to identify frequency ranges, boosts and cuts in the theoretical as well as in the practical using music. Through listening exercises, students will develop critical listening skills. Critical listening skills take years to develop and this course is designed to speed up the process of creating 'Golden Ears' and give the student a head start. In order for the budding producer to realize their potential in the studio, the ability to describe what is being heard and the skill to articulate possible audio issues is a necessity. Clive Davis Institute majors only. Pre-requisite: REMU-UT 1106 Musicianship: Theory and Construction, with a grade of C or better. REMU-UT 1021 Digital Audio Workstations: Logic (SPRING ONLY) There, students will have the opportunity to grapple with, workshop, and apply business concepts and ideas to advance their own music projects. Face-to-face class meetings will be complemented with smaller group breakouts guided by industry professionals serving as professional mentors. Students will be introduced to the course topics via readings, lectures, interviews and other media-rich content delivered asynchronously in advance which will allow every class to focus on productive discussions and activities related to business concepts. Students will examine different music industry roles and career paths, and the knowledge, skills, and experiences they will need to gain a competitive edge. This course will also explore emerging technologies accelerating rapid changes and the challenges and opportunities students will face when entering the marketplace.

REMU-UT 1202 How the Contemporary Music Business Works (FALL OR SPRING)Ī broad overview and practical analysis of the music industry, covering a broad spectrum of business areas, including streaming, distribution, licensing/synch publishing, live performance, radio, marketing, copyright and related fields. Throughout, we look at approaches to crafting successful oral and written arguments about popular music with clear, compelling writing about sound. Along the way, students become well versed in the history of 20th and 21st century recorded music, and in various music genres and styles and we place the art and business of creating and selling recorded music in historical, political, cultural and social context. We study how and why the fields, fiefdoms, and empires built by these impressive and sometimes controversial icons have transformed the course of popular music. We recount the stories and make arguments about famous executives, managers, producers, performers DJs, and journalists/publishers from the dawn of the music business until the present day. This 14-week class introduces students to the history of innovative entrepreneurs and institutions in American recorded music.

The Development & Alumni Relations TeamĬlive Davis Institute majors only.

Clive Davis Institute of Recorded Music.

Rita & Burton Goldberg Department of Dramatic Writing.

Maurice Kanbar Institute of Film & Television.